(615) 915-1851 606 8th Ave S, Nashville TN
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Dreadnought

Martin D-18 1952, Natural

$6,000.00

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InstrumentDreadnought
BrandMartin
ModelD-18
FinishNatural
SKUGF9546-A
HandednessRight
Made In Year1952
TopSitka Spruce
Back and SidesMahogany
Neck/FingerboardMahogany/Brazilian Rosewood
Bridge MaterialBrazilian Rosewood
TunersReplacement Schaller Tuners
Radius16"
Neck ProfileV
Neck Depth0.834" - 0.974"
Scale Length25.4"
Nut Width1.665"
String Spacing at Saddle2.165"
Contains Brazilian Rosewood (Y/N)Y
ElectronicsNone
Case80s Martin hard shell case
Modifications/RepairsNew Saddle, new bridge plate, bridge re-glue, replacement saddle, refret, neck reset, several braces reglued, large bottom rim crack on treble side (3 maple cleats), bridge slots ramped, strap button added
Condition NotesRefinished, several repaired cracks

This 1952 Martin D-18 comes from a period when the model had fully settled into its postwar identity, pairing mahogany back and sides with a spruce top for the dry, direct response that made the D-18 a staple of bluegrass, folk, and early country recordings throughout the 1950s and 1960s. Working players have long gravitated towards D-18s for their balance, strong fundamental tone, and relatively understated construction compared to their rosewood counterparts. The guitar has undergone a substantial amount of professional restoration work over time, including a neck reset, refret, bridge reglue, replacement bridge plate, replacement saddle, several reglued braces, and repair of several cracks throughout the body. There is also a large repaired bottom rim crack on the treble side secured internally with three maple cleats, along with a refinished body and ramped bridge slots. Despite the work, it retains the dry, woody character that keeps early-’50s D-18s in steady demand among players drawn to older Martins with a more open and broken-in response. A strap button has been added for practicality, and the guitar remains structurally sound following the completed repairs.

Includes 80s Martin hard shell case.

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